Artist : D:Fuse & Hiratzka
Release “Breathe In”
Remixer: Fine Taste
Label: Currve
Catalog: CR041
Release Date: June-18-2008
Genre: Progressive House, Tech House, Chill Out
Format: Digital

Review: Fine Taste remix is repetitive and simple. Not a floor filler by any means. Something to get the crowd warmed up. Neil Colo’s Tech House remix has a lot of structured complexity with dark overtones. If you’re into the darker side of Tech House, this one’s a sure bet. The downtempo, chill out album version is included with the EP download.

Artist: Killfish
Release: Tatooman EP
Label: Jetlag Digital
Catalog: JED002
Release Date: July-04-2008
Genre: Progressive House
Format: Digital

Review: Out of the gate, Jetlag Digital put out a couple of nice tracks. These two are fairly forgettable. They don’t go anywhere or do anything exciting. Simply just filler tracks. “Grinder Cool” has a bit of an electro house flavor to it. A vocal sample drifts in and out, but there’s no reason to really care. The breakdown is fairly simple. Nothing we haven’t seen before. The modulation of the synth warps around as it comes out of the breakdown, but it doesn’t capture the big room, epic transformation you’d expect out of a long breakdown and build up. “The Fisher” is another filler track that I might play in the beginning of the night, but definitely not peak hour. These guys need to go back to the drawing board and take it a notch higher. The label is out of Spain. This sound may do well there, we don’t know, but we don’t expect them to break any records in the U.S. with this release.

Artist: Terry Williams
Release: San Francisco
Label: Lad Publishing & Recordings
Catalog: LADAL08041
Release Date: June-18-2008
Genre: Tech House
Format: Digital

Review: We’re digging this thick track with synth stabs that sound like urgent horns placed evenly along throughout. A nice twangy bass line carries the groove. This track is good for putting that skip in your step when you’re on the floor, grooving to it. If this is the sound of underground San Francisco, then we’re looking forward to hearing it played out the next time we visit. The Natalino Nunes remix takes it a bit darker, but that means it loses a bit of its cheery flavor. So, we’ll stick with the original here.

Artist: Incognito
Release: Tales From The Beach (Album)
Label: Heads Up International
Catalog: HUCD 3141
Release Date: June-24-2008
Genre: Jazz
Format: Digital

Review: Just when you were looking for a smooth, soulful jazz album from Incognito, here it is. The band has returned with lush, gorgeous music and vocals you’d expect from such a legendary group. Incognito fans will be satiated with all that’s great about this group. DJs have three house tracks to pick from, “Love, Joy, Understanding”, “Freedom To Love”, and “Feel The Pressure.” All three are perfect for a Lil Louie Vega set. We’re thinking someone from Giant Step has already called him for a remix.

Head to Giant Step to listen to the DJ Sampler.

NY Times Video: Hmong Hip Hop

Who knew Minnesota was bringing the noize? Rapper Tou Saiko Lee, has been blending hip hop with ancient tradition to keep the Hmong culture alive. The Hmong people, originally from Laos, came to America to escape Communist persecution in the 60’s and 70’s. Many settled in the Minneapolis area, which has come to support the largest Hmong population in the United States.

The New York Times interviews Tou Saiko Lee, bringing what’s best about America, our immigrant culture and how that culture breeds new art forms. Lee bridges hip hop culture with his Laotian roots, including music and spoken word he’s created, which includes chants from his grandmother, who performs with an oral form of Hmong verbal poetry.

Lee’s convergence of American culture with Laotian history brings to mind the pioneering efforts of Eric B. and Rakim, who sampled Ofrah Haza’s “Im Nin’Alu for their rap hit, “Paid In Full.” The track bridged the beautiful sounds of Israeli music with New York’s gritty, urban experience. Im Nin’Alu was also sampled in M/A/R/R/S, “Pump Up The Volume,” a huge house record at the time. I can’t say for sure, but both classics were released by the long defunct 4th & Broadway record label, which I’m going to guess licensed the sample and used it on both recordings.

The point is, Hip Hop has transcended its roots in from the Bronx and streets of L.A. to become a global sound adopted reworked by oppressed societies who are struggling just as African-Americans who created the format have experienced. When other cultures embrace hip hop and merge the street sounds with their own oral history’s, amazing things ensue. For example, Bhangra, a traditional folk music of India, has merged with Hip Hop and that convergence has since emerged as a powerful musical force with a huge Indian following in New York City, led by the genre’s leading DJ, Rekha. And, disaffected Senegalese youth from France embraced Hip Hop to voice their issues, launching the divergent careers of rappers MC Solaar and Assassin.

Netmix gives props to Tou Saiko Lee for bridging Hmong culture and hip hop. The tradition of using Hip Hop to fuse the past with the present educates young people around the world that we can’t forget about our past, because our past will always be tied to our future. Combining history with music they can related to, innovators like Lee believe that their efforts will spur thought or action for others who follow to embrace and continue the message of those less fortunate. We have to keep the spotlight on the tragedies of our times.