Author: Tony Zeoli

Tony Zeoli is Founder and CEO of Netmix.com and Radio Station by netmix.® Originally launched in 1995, Netmix was was considered by Billboard Magazine to be the "innovation and advancement of dance music on the Internet." Tony had launched the world's first Internet mix show website featuring the most influential DJs from around the globe. After two-and-a-half decades, Netmix has since evolved into an online station directory and powerful WordPress plugin, Radio Station, for broadcasters and webcasters to manage their statioon's show schedule in WordPress. Tony has been an innovator at the intersection of music and the Internet for the past thirty years in project management, product development, and digital strategy,. He is also the founder and CEO of Digital Strategy Works, a WordPress web design and digital marketing agency. And, Executive Producer of the Asheville House Music Society, an online House Music mix show. Tony is located in Asheville, NC where he loves to mountain bike, hike, and play golf with his son.

The magic of Chris Malinchak’s “So Good To Me”

Last night, I’m at the Disco 3000 party at Ben’s Tune-Up in Asheville. I discovered this party online. When I moved to Asheville on January 28th of this year, I immediately started looking for the house music spots. At first, I didn’t find much. But after digging a bit deeper, I stumbled upon Nighttimeswerve aka Adam Thome who is a member of the Earthtone Sound System crew with Josh Hughey. They’ve created for themselves quite a following as Earthtone Sound System, which was born in Atlanta, but has since relocated to Asheville. Along with DJ Trevor Baker, they created the Disco 3000 party, which currently occupies the outdoor space at Ben’s Tune-Up, a local Asheville restaurant/bar, weather permitting. On cold or rainy nights, they bring it indoors.

ETSS and Trevor are focused on playing a blend of indie dance, nu disco, breaks, house and tech house. It’s really about whatever is funky and gets the crowd going. They vibe off each other and switch off, preferring blending with Serato then using Traktor with the dreaded sync button (which I actually do rely on – I have no shame!). They surely had a dance floor moving last night. Now, I’m a sucker for these emo style house and tech house songs that feature singer/songwriters, rock vocalists or unexpected soul samples. So, to close out the night, Trevor ran this amazing song “So Good To Me” by New Jersey’s Chris Malinchak, which samples “If This World Were Mine” by Marvin Gaye and Tammi Terrell. The song went to number 2 in the U.K.

I was in the middle of a conversation with Adam when Trevor dropped eased out of the current track and brought this one in. I immediately cut-off Adam (sorry, dude!) and said, “what the f*** is this?” It was beautiful, but then again, anything that brings a deep house sound together with the legendary vocals of Marvin Gaye and Temmi Terrell should stop a conversation dead in its tracks. And, that’s what it did. So, without further adieu, here is the SoundCloud and official YouTube video below for your listening enjoyment.

http://soundcloud.com/frenchexpress/chris-malinchak-so-good-to-me

If you’re looking for a hot remix, check out MK’s reworking of this instant classic. I love both versions. Depending on the vibe of the party, you can rock either one and get a groove going.

 

Two great remixes by the renowned, MK!

Mark Kinchen, known around the world simply as MK, has been producing dance music since the early ’90s. MK is responsible for three incredible house music classics, including “For You” under the pseudonym 4th Measure Men, “Love Changes as MK featuring Alana,” and the legendary record by Nightcrawlers called, “Push The Feeling On.”

I first learned about MK when I heard this record, “Somebody New” (which I still have on vinyl!) on KMS Records in 1989. KMS was Kevin Saunderson’s label out of Detroit. One could argue that while we attribute tech-house to German producers like Terry Lee Brown Jr, MK was really one of the early pioneers of tech house – the blending of techno and house. And, it’s clearly apparent on this record as well as the “For You” release.

According to his Wikipedia entry, his discography stops short in the late ’90s and doesn’t pick back up again until 2009. But in an interview with PublicSF, MK mentions doing two or three remixes a month after the Nightcrawlers record. A quick check over on Discogs and you can see that MK has credits on 435 remixes at the time of this writing. That’s pretty incredible, as I personally had no idea he had done that much work. I guess someone has to get started correcting the Wikipedia entry! It’s a huge body of work and maybe it’s time to go back and revisit many of these mixes. Well, that’s when I have some time, because that’s a lot of stuff to wade through.

Since we’re not going backwards but forwards, here are two recent MK mixes that I really loved. The first is a remix of Duke Dumont’s hit, “I Got You,” which is also available on Beatport as a download.

http://soundcloud.com/mixmag-1/premiere-duke-dumont-i-gotyou

This one, Wankelmut feat. Emma Louis, “My Head Is a Jungle,” was one of the top tracks on Beatport’s Deep House and Tech House charts. MK took a crack at this one and the results are here on Netmix. We love this mix and we hope you do too!

Coldplay – Magic (Sebastien Remix)

We’ve been listening to phenomenal music this week. Coldplay’s new album, Ghost Stories, hit the store on May 19th. When we were scoping out Moby’s latest release, Almost Home, we discovered that the same DJ/Producer, Sebastien remixed that record and this one too! Of course, we had to just jump on the Sebastien bandwagon and get this one onto the blog as well. Okay…so we’re a little late to the game on this Sebastien dude. He seems to be scoring a few points with choice artists who make incredible music. Could Sebastien be the next Calvin Harris? It looks like he’s working his way down that road, for sure.

Here’s the original official Coldplay video for single, “Magic.” The song is about a love somehow broken. By whom it doesn’t say, but the memories of that love still persist and while the relationship fades from view, it was still like magic, even if it’s now no longer together.

Here is the Sebastien remix of Coldplay “Magic” we discovered on SoundCloud. He gives this record a nice bottom end deep house flavor with simple piano chords throughout that keep this song grounded near the original. Simple, emotive and effective.

http://soundcloud.com/s-bastien-official/coldplaymagicsebastien

Not sure yet where to buy this remix as the download has yet to make itself available. Hopefully, we’ll see it soon.

If you’re looking for more of an electronic dance music remix, the legendary Giorgio Moroder gives this one a spin as well. You can hear the difference in the more polished sound of the experienced dance music veteran in the complex synth and drum patterns.  This is available now for download through iTunes.

Moby feat. Damien Jurado – Almost Home (Sebastien Edit)

Moby’s new album, “Innocents” is out now and this song, Almost Home, features the American singer-songwriter, Damien Jurado on vocals. It’s an emotive and sensitive downtempo number with a sweeping hook and long synth pad washing underneath. Very ethereal and though provoking. Classic Moby in his ability to find and work with interesting vocalists flying under the mainstream radar, but popular in their own right.

You can hear more of Damien Jurado’s folk sound and singer/songwriter abilities on his website.

Here is the official YouTube video for Almost Home.

If that’s a bit too downtempo for you, here is a remix from Hamburg, Germany based DJ/Producer, Sebastien. This guy is definitely someone to watch for his ability to work with strong vocals. Maybe a German version of Calvin Harris? We’ll see!

Buy this release on Beatport

 

Frankie Knuckles Tribute at Scandals Nightclub Asheville NC – April 24

On April 24th, I’ll be DJing a Frankie Knuckles Tribute Party, which coincides with both MOOGFEST and Dining Out For Life here in Asheville, NC. The FK Tribute will be in Scandals Nightclub (11 Grove Street) from 11 pm to 3 am during the Dining Out For Life After Party. The party is FREE, so come on out and celebrate the life and legacy of Frankie Knuckles, while also contributing to a good cause – the Western North Carolina AIDS Project (WNCAP).

Let us know you’re coming to support here.

Frankie Knuckles Tribute Party Asheville April 24 2014

Frankie Knuckles Tribute Mixes

frankie-knuckles-03Since Frankie Knuckles’ untimely passing this week, there have been many Internet messages and tributes to Frankie Knuckles in words and images, but it’s important to hear the music of the man who created the genre we know as house music. Here are three Frankie Knuckles Tribute Mixes. The first is from America’s number 1 mix-show DJ, Riddler (@djriddler) for 103.5 WKTU.

 

 This mix is by Frankie’s long time friend and production partner, DJ/producer David Morales. Both Frankie and David have been part of the Def Mix production and management company helmed by Judy Weinstein.

This mix is from DJ/producer, Dmitri from Paris.

Frankie Knuckles

I put together this Storify post of various social media hits and remixes to celebrate the life and times of the legendary house music DJ/producer, Frankie Knuckles, who will always be known as the Godfather of House.

Read more

Kanye West SNL performance of Black Skinhead

Love him or hate him, Kanye West is back, and this time he’s not playing games. He’s going straight for the jugular on race, dropping lines that reflect on basketball star, Lebron James’ game jersey being burned by fans in Cleveland after James decided to play for the Miami Heat. How he’s been particularly judged by the media due to his relationship with Kim Kardashian, a white woman. Saying that even thought he’s attained this status, he still has to be careful of who he brings home with the media laying in wait at his doorstep to turn around a news story that will tell the world who he’s seen with.

His lyrics also contain references about how corporate America can’t control him or what he does, despite the money and the contracts thrown at him. He’s just going to continue running at warp speed and making his way in the life the only way he knows how. There’s no turning back. You’re either going to watch him or you’re not, but if you do, then get ready because he’s not going to play by the rules as they are set by others – specifically corporations, white society and media.

Without question, it’s arguably one of the most powerful songs in Hip-Hop today. It’s a game changer in terms of style. substance, beats and instrumentation. Whatever happens, this track is going to be hard to follow. I’m not going to say it’s equivalent to the legendary Public Enemy track, Fight The Power, chiefly because Kanye is talking about himself and his view of how the world treats him, while Chuck D. is looking at it from a “we” and not “me” perspective.

In Kanye’s world view, it’s always all about him – what they’re saying about him, how they are trying to bring him down and how he is going to still be standing. While his argument is absolutely valid and real, his continued focus on himself as the catalyst for others to hate him because of his skin color and what he does plays into an ego that, while touching on the issues of others, always comes back to what is being done to him and how he is living and dealing with that everyday. The question, is it unfair? Many times, absolutely. But if you’re an artist and you live in the spotlight, you’re certainly asking for attention and you must live in the glare of the spotlight that feeds the beast – the media. With it comes all the trappings of wealth, fame and success, but it also comes with media scrutiny and public reactions to moments when what you do is not perceived a unacceptable, regardless of who you are, what you do or the color of your skin. Like the time when Kanye decided to interject himself into the 2009 MTV Music Video Awards presentation for Best Video by taking over the mic during the presentation to the winner, Taylor Swift, and announcing that Beyonce should have won for her video, “Single Ladies.”

If you’re Kanye, is it always because you’re black in an unfair world? Or, is simply because you’re Kanye and the ego that drives your talent is so outsized, you only can see things the way you perceive them to be? It’s definitely a little of both, but if you listen to this new track, the perception is that Kanye will always be himself and others will judge as they do, but he’s keeping it moving in the only direction he knows how and whatever they do or say, they can’t stop him. As a black man in America, he makes a strong case, but he never wants to be judged for what mistakes he makes in the process, which is unfortunate. Because everyone, at one time or another, has to step back and take a look at their actions and ask themselves, am I doing the right thing, regardless of the color of my skin?

Anyway, it’s worth a listen. It really is that good. In Kanye’s world, his perceptions are real for him and that’s all that matters. It takes an artist of incredible strength to be able to light up the mic with as tough as these lyrics are to digest. It’s a portrait of our society – one that is as real, brutal and honest as an artist can get. Hard to digest for most for sure, but give it to Kanye for saying what needs to be said.

UPDATE: After listening to this track again, let me restate my position on the “we” vs “me” comment I made in this post. Maybe I missed something and it took the lyrical scientists over at Rap Genius to school me.

In this verse, Kanye shines the spotlight on kids in urban communities, especially Chicago, where Kanye is from, acting like “goons.”

Stop all that goon shit
Early morning cartoon shit
This is goon shit
Fuck up your whole afternoon shit

It’s a reflection on how kids are joining gangs and trying to be tough by killing each other in the streets of Chicago. It’s a call to all those listening that their way of life is, in fact, cartoonish and silly.

In another new track also performed on SNL called, New Slave, Kanye raps about some black Americans buying into the culture of spending on luxury goods. Despite the success of Black Americans in Hip-Hop and the trappings of wealth and acclaim it has brought them, in Kanye’s view, it’s still subservient to buy into the consumer culture, because black Americans who have attained wealth continue to enrich those who are in power by buying these luxury goods. That, no matter how you slice it, slavery still exists – but, it’s now mental slavery that he equates to profit taking from the purchase of luxury goods by the black community that continues to enslave the community, in place of the physical slavery experienced by those who came before them. It’s a powerful, raw and controversial statement, because its some in Hip-Hop that perpetuate the idea that if you make money, you should spend it on bling and display your wealth. That begets the question, if you are critical of that culture, then why buy an $11M mansion in Beverly Hills? It’s a hard question to answer, that’s for sure. One one hand, don’t be part of the machine, but on the other, live within the machine. It all depends on whether it’s on your own terms. There’s a level of hypocrisy in the statement that undercuts the message, but the message is important nonetheless.

 

Making your audio player persistent with jQuery and AJAX

What is the single most important feature of any music website? C’mon, don’t let us stump you that easily. Still thinking? Okay, let us help. It’s the audio player, of course! If you’ve got a hot music site, then you’ve got to have a functioning audio player, so your audience can play back music featured on your website or in your mobile web application (notice I said mobile web application, not mobile application). When serving up those audio tracks, nothing is more frustrating than having a song interrupted while navigating between pages of a website. That means you can’t just deploy any audio player, you’ve got to deploy something with persistence across all site pages, allowing a consistent listening experience while surfing with no obvious break in the action. Wait, did we say that a user can navigate between pages while the audio player remains persistent and it doesn’t disrupt the audio stream? Yes! That’s what we said. After many years of ugly pop-up players or Flash-enabled players in Flash .swf wrappers that kill your site’s SEO, it is finally possible. Lots of sites are now deploying them. Some are even creating themes for WordPress with enhanced audio player experiences, so you get all that for free or a very low cost compared to custom development. The Stylico-DJ-Template features a persistent HTML5 player in the left sidebar. Before we get into the how and why of persistent audio players, here are a few more examples of sites employing these players successfully.

8tracks.com

The best site for hand-crafted Internet radio, where user-generated playlists are all the rage, 8tracks.com recently converted to a persist audio player experience. This advancement will allow listeners to enjoy uninterrupted audio while navigating the site and following their favorite “DJs.” It will surely increase engagement with 8tracks and subsequently, listening hours. check out the player in the screen shot below. It’s at the bottom of the page. (In the interest of full disclosure, the author of this post is an adviser to 8tracks.com and holds shares in the company.)

8tracks.com Audio Player Example Screen Shot

Beatport.com

One of the earliest and best implementations of a persistent audio player, Beatport first innovated with a full, all-Flash experience. Advances in HTML5/CSS3 and jQuery saw Beatport convert their entire experience into an SEO friendly website. This was smart for two reasons. First, it improved search engine optimization of the Beatport site. Flash is notoriously difficult for search engines to crawl, so converting the experience into HTML would helps Google, Bing and other search engines efficiently crawl the site. Second, it was to enable their audio player to work on Apple iPhones. When Apple decided not to support Adobe’s Flash Player plugin, Beatport customers could not play music from the existing Flash site on an iPhone or iPad. This forced Beatport to quickly innovate and come up with a solution for the mobile web, which you can from the screenshot posted see below.

Beatport Home Page Screenshot as of 1/1/13

Play any track on the Beatport home page and the track is added to a playlist found by the drop down arrow to the right of the bright green “add to cart” button in the header. You can jump back and forth and pause/play your track selections and there is a visual representation of the track with a cursor in the timeline that helps you know where you are. Then try and navigate between pages and you’ll see that the player consistently remains fixed and the audio continues to play.

This is similar to the iTunes experience, which has always had a playback feature in the head of the software as shown below. The user has the ability to play a track and navigate throughout the store or their library, as shown below without interruption.

Screenshot of iTunes as of 1/13/13

Finding a way for users to listen to music uninterrupted while surfing the site is one of Beatport’s competitive advantages over its rivals, many of whom continue to deploy pop-over players, which are problematic for a number of reasons. As you can see in the screenshot of the DJDownload website below, the pop-over player gets in the way. It pops up and over the left side of the page, making it very difficult for the user to navigate the site. Since the pop-up player is in its own browser window, just clicking on the main page will bring the main page forward and layer the player behind it making it that much more difficult to use. Today, an audio player should always be persistent on your site. The technology is available, you just have to find the right developer to make it happen for your site. There are a few WordPress themes that feature HTML5 audio players and we hope to see more.

Screenshot of DJDownload.com and its accompanying audio player

Pandora

Another successful deployment of the persistent audio player is on the Pandora website. Pandora is one of the most popular streaming radio services on the Internet. The implementation is also HTML5/CSS3 with jQuery and AJAX, two methods to trigger playback and load new page information in the browser, without stopping audio playback. Whether you change your preferred radio station or click into your user profile, the audio player stays constant.

Pandora Audio Player Screenshot

Reverb Nation

The grandaddy of artist networks and indie music discovery, Reverb Nation recently converted their site and player experience as well. The difference here is the player is on the bottom of the page instead of the top. It’s a different take and we’re wondering what A/B user testing uncovered when they were planning this feature. Does it matter whether the player is fixed to the bottom or the top? Is there an increase of decrease in usage based on location on the page? We’d love to get some feedback on this. Please leave us a comment with your thoughts on the placement of a persistent player experience. Top or bottom – which is better for the user experience?

Reverb Nation Audio Player

MySpace

The new MySpace has launched and its got a new player experience as well. As you can see, all the titles we’ve listened to are in a left/right scrollable slider. The player sits at the bottom of the page – similar to Reverb Nation. All pages load with AJAX, keeping the player persistent.

new.MySpace page with audio player experience as of 1/13/13Here is a view of the new.myspace.com media library. Click on any track it will play in the player at the bottom of the page. Playlists can be created and shared with other new.myspace.com members. Of course, there is no Facebook or Twitter integration, which is understandable given the competitive landscape between these social networks, but that is going to make it much harder for MySpace to gain social traction. You cannot cross-post from MySpace to Facebook or Twitter and vice versa. MySpace is going to have to decide if they want to go down that road. But, we’re getting off track! Back to the player discussion.

Screenshot of the new.myspace.com music library

A Brief Jog Through Our Experience With Audio Players over the past 17+ years

While persistent audio players have long been available in a downloadable client for the desktop (iTunes) or baked into an Adobe Flash experience, it’s only in the last few years you’re seeing them included on web sites as a persistent web app. And, like all audio players that came before it, it’s not all that easy to implement. I mean, it’s not necessarily plug-n-play type thing. You’ve got some work to do to implement them correctly. We”ll get to that, but let’s first start with a little history. When we first started out in this business, the most widely accepted method for streaming audio was to purchase a streaming server from Real Networks or lease space on a server from a hosting company who invested in the technology. Using Real’s server technology, you could broadcast at 14.4kbps, which is a fraction of today’s 10mbps download speeds. Early audio players were rudimentary. They were only meant as a utility to stream audio and not much else. The first image below is the Real Player 2.0, which was released in 1996. Netmix actually used this player to stream our first DJ mixes when we launched in January of 1996. Image of Real Player 2.0 (1996) Here is a view of the latest version of Real Player 16, which has a persistent player experience. The software also acts as a media library along with other advanced features. As you can see, Real Player has advanced considerably over 17+ years.

Real Player 16 Image

Before bandwidth got cheap, Real Networks would power audio on the web for the better part of a decade before being rendered obsolete by HTTP, UDP (User Datagram Protocol) and RTSP (RealTime Streaming Protocol).  At the time, Microsoft would compete with Real Networks, rolling out a competitor to Real Audio and calling it, Windows Media. Here’s the original Windows Media Player. Windows Media Classic VB6 image The latest version is Windows Media 11.

Image of Windows Media Player 11

Not to be left behind, Apple joined the party with its QuickTime streaming technology. All were required to employ a dedicated streaming server to deliver packets of data to their respective desktop clients that had to be downloaded and installed on the end user’s machine. Proprietary and expensive (although all companies offered a version of free for a limited number of consecutive connections), these products became the darlings of corporations who needed a way to stream webcasts for corporate announcements, online trainings and webinars while also keeping their content secure. The the big three controlled streaming audio throughout the 90’s until the MP3 format disrupted the status quo. In the meantime, Adobe would work audio player functionality into it’s Flash SDK (software development kit), which provided a way to create immersive, interactive audio player experiences.  The vector-based tools in Flash gave designers and developers creative license to employ unique and highly stylized players that could be persistent across an entire site. Even though Real Networks developed a proprietary markup language, SMIL, to embed web pages and other multimedia into the Real Player, Flash really took off as the best way to implement audio in a web experience. With Flash, anyone could surf a Flash-enabled website pages while listening to a continuous audio stream that would not stop abruptly when navigating between pages. The dewplayer is a good example of how designers and developers used Flash to create sophisticated and lightweight audio players. The player has various options, from Mini to one called Playlist, which displays a list of files to play. The player at the bottom of the list below shows an emulated black vinyl record, which actually emerges from behind the white box each time a new song is played. Screen shot of Dew Audio Player options To get an idea of how complex Real Audio technology was for developers to deploy, take a look at this Real Networks Production Guide published in 2002, we found on a still functioning service site. And, here is a tutorial on how to create a Flash Audio Player using Flash MX. Noted previously in this article was that Beatport once employed a Flash solution. The entire site was loaded in the browser via a .swf file, which encompasses all the code and graphics needed to display the site and make it interactive. While Flash is still in use today, HTML5 and jQuery can give you similar functionality on a standard web page all without having to load a proprietary file to run a complete web site. One can image how expensive it is to constantly update multiple .swf files that may run a very large web site. Despite the cost, some still prefer to build all-Flash experiences, but they sacrifice search engine optimization best practices in the process. A disgruntled user posted his dismay over Beatport’s migration from Flash to HTML5. Why do away with Flash? Google is the dominant search engine. Its crawlers – the bots that scour all websites to index them for content and relevancy – could’t penetrate the Flash .swf wrapper to index text within the Flash experience. Sure, there are workarounds to point a browser to scan files that would import text into Flash, but doing so was highly problematic when you could really just build a full HTML5 experience and not have to struggle with search engine optimization for Flash. Ultimately, it’s also cheaper to build an HTML5 experience than hire $175-an-hour Flash developers. Some would say that Flash technology has outlived its usefulness for complete end-to-end web sites. It’s now better served to use Flash in very specific use cases. For example, advertising banners or desktop solutions built in Flex that need to be complete, closed solutions and not open web apps that can be more easily modified. We’re at the point where the power of Google’s search and its crawler requirements have reduced the necessity of immersive Flash experiences. With Flash’s hold on the media industry reduced, which technology will now provide a similar audio player experience? Now, there is javaScript, which has evolved to offer a solution. Using HTTP, UDP or RTSP, anyone can employ a javaScript player by embedding it on their website and streaming audio from a web server the listener. It’s now possible, because telecom and cable companies have improved the speed and efficiency of bandwidth to deliver rich media to the user’s desktop or mobile device at a faster rate and more reliably than ever before. In addition, a technology called Really Simple Syndication, which is known in web circles as RSS, allow a listener to subscribe to podcasts that deliver downloads of episodic content to a laptop, desktop or mobile phone. All of the aforementioned advances make downloading, transporting and sharing audio across devices easier. There was a time when Yahoo was focused on creating open source products. During that period, one of their development groups created an immersive javaScript audio player, the Yahoo! Web Player, which could also be installed as a plugin for WordPress. In the screenshot below, you can see that once installed, the player is loaded by a click action on the page. The version in the image below is the full video experience.

Screenshot of Yahoo! Web Player

While the trial site did have a link to the audio only view, we discovered that by clicking on the link for the audio only experience, both Chrome and Safari for Mac returned the audio file in their HTML5 browser based audio players, as shown below.

Safari Audio Player screenshotIn the context of this post, it’s important to address this issue, because many of those who are new to development and working with audio on the web may not know that audio links must start using the new HTML5 download attribute, which is appended inside the link tag like this:

<a href="http://www.google.com/.../logo2w.png" download="MyGoogleLogo">download me</a>

Open Source content management systems including WordPress are inadvertently driving persistent audio player experiences. Free to download and install, these content management systems are extremely popular with DJs, bands and labels. Anyone with a hosting account can quickly set up a blog and within minutes publish a podcast or embed player widgets from services like Reverb Nation, Soundcloud or 8tracks into their sites pages. When it comes to a persistent experience, we’re just starting to see WordPress themes that utilize jQuery and AJAX to deliver the persistent player music fans are increasingly exposed to from the sites we mentioned earlier in this post. If you’re a DJ, artist, band or label, there will be a point in time your users will expect to be able to navigate your site or mobile pages, while listening to audio uninterrupted. We’re anticipating your next question, which is probably, “show me some examples of WordPress themes that have persistent audio players?” Ha! We thought you’d never ask. We mentioned Stylico-DJ-Template, which is available for $18 at Themeforest, a theme and plugin marketplace. The theme uses history,js, which:

…gracefully supports the HTML5 History/State APIs (pushState, replaceState, onPopState) in all browsers. Including continued support for data, titles, replaceState. Supports jQuery, MooTools and Prototype. For HTML5 browsers this means that you can modify the URL directly, without needing to use hashes anymore. For HTML4 browsers it will revert back to using the old onhashchange functionality.

Stylico WordPress Template Screen shot at Themeforest

 Another example of a WordPress theme using history.js to create a consistent player experience is the predominantly dubstep and mash-up site, sosimpull.com. Notice the player is fixed at the top left. You can navigate between each tab in the playlist and the audio will continue to play.

Screen Shot of SoSimpull.com

How do you build persistent audio players?

After a little bit of research, I came up with a list of links that I’m going to pass to you, which should help you get started in building out your persistent audio player experience.

If you need a little help trying to get AJAX into your theme, here are a few links that may help you out.

Lastly, SEO is very important to this endeavor. If you’re going to AJAX your site’s pages, you’re going to want to do some “deep linking” to content.

For developers, this slide deck might be useful. The author is Ronald Huereca, who presented these slides at WordPress Philadelphia in 2010.

Instagram updates terms and gives itself the right to potentially sell your artist, band or concert photos

Allston Pudding

CNET reports this morning that Instagram, the popular social photo app for iPhone and Android that was recently acquired by Facebook, is updating its terms of service as of January 16th, 2013 to allow for the service to sell your uploaded photos to others without having to notify you or compensate you.

What does this mean for individual artists or bands that are touring, in the studio or at press events? It means that whatever you end up uploading yourself or whatever your fans upload, could potentially be sold to a 3rd party service without compensating you or notifying you that it did so. Here are a few examples:

  • A fan snaps a pic of your performance at a local club. The club scours Instagram for all photos of bands taken at the bar and purchases the rights to use those photos. The club then adds those photos to its Facebook, Twitter or Pinterest accounts and also uses the photos in advertising and marketing on flyers, or shares them with news organizations. While you may have requested no photos be taken during the performance, it will be extremely difficult for an artist or band to control the image once the picture is taken.
  •  You’re hanging out late night in the studio. A superstar artists calls you up and says he wants to come lay down some tracks with you, but wants to also keep it on the down low. The artist shows up and you start jamming together. One of your groupies snaps a photo using Instagram. After January 16, 2013, Instagram has the right to take and sell that photo to a 3rd party without compensating you and without you being able to sue for damages. Of course, Instagram says in its terms that the person who uploads the photo must have the right to do so, but your groupie just snapped the pic without signing a non-disclosure. You’re quite possibly out of luck. Fox News has acquired the photo and you and the superstar artist are now splashed on the cover or home page of every major celeb rag.

What does an artist do? First, if you’re certain you do not want any photos from your Instagram account sold to 3rd parties, you must delete/remove all your photos from the Instagram application (I did that myself this morning). Second, consult with a music industry attorney who can advise you on what notifications to include on your tickets, flyers and other promotional material at shows and make sure to get folks hanging out with you in the studio to sign non-disclosure agreements. We’re not attorneys, so our advice is just that – advice. Make sure to get an attorneys opinion on these matters and make absolutely sure the attorney is well versed in digital rights and copyright.

Remember, once your photos are on Instagram, after January 16, 2013, you’ve lost control of your likeness and image. And it doesn’t matter whether you delete the photos on January 17th, Instagram can quite possibly use photos that were deleted after the date of the change in their terms of service.

Social media can certainly be advantageous for many artists. But, as more social services look for revenue, you – the user – must keep abreast of these changes to insure that you have as much control as possible over your images or you will be out of luck when someone snaps a photo of you and Instragram profits from your likness and image.